Cameron Holbrook. Rap fans who give a fuck will know how imbalanced the landscape is (just watch how infrequently Spotify promotes women rappers and the deluge of negative comments they receive on YouTube, for instance), which makes PU$$YRAP vital in its championing of talent, as well as its celebration of sexuality and flexing. Opening on DJ Plead’s ‘Still D.R.E’ inspired Arabic rhythms and moving through sharp static overloads, menacing sub-bass, palpitating beats and gruffly intoxicating vocals, it’s a superlative mix that maintains an assured sense of control through hectic highs and murky lows in the energy flow. Sean Griffiths. It’s the kind of thing that’s made for listening to on the way to raves in the dead of night, car full of hyped mates and a stereo pushed to its crackly limits. There's no beating around the bush there. Two tracks later they drop Tuff City Kids' phenomenal 'Dreamscape UK' mix of Radio Slave's 'Screaming Hands', a track that makes me misty-eyed and nostalgic about a rave that kicked off when I was -2 years old. Especially, this totally infectious solo cut he put out as a follow up on Defected. Funster, The frequency of entries into the Late Night Tales series seems to have slowed up recently, but when they do drop, they don’t disappoint and this year’s entry from Floating Points was no different. While she rarely posts mixes online, last month Groove Magazine locked in a podcast with this formidable selector who treats us to a rousing hour of unreleased music on Planet Euphorique and ISLA Records - the label run by her Ambien Baby collaborator, NAP. Aside from being a staple on Nina Kraviz's Trip Recordings, both releasing on the imprint and playing her parties, he's released on Clone, his own label Tape and Dekmantel. DJ Mag's top 50 tracks of 2019. Indeed, paying respect to dance music that runs at 160bpm and above is the MO of XTC. The arpeggiated, syncopated synth on top of the straight 909 kick is as fierce as they come. Danny Tenaglia. And it certainly paid off given the fact that it was heavily rinsed all year long. Dave Turner. "It’s just a mix that says, ‘let’s dance all night long’," she says of the 54-minute journey. Making a wide variety of music under her DJ Zozi, Ambien Baby and Plush Throw monikers, D. Tiffany's beautiful, drifting house jams have landed on various Canadian labels such as Pacific Rhythm, 1080p, Heart to Heart and more. This amalgam of innovative club music shows us that this indefatigable selector, producer and curator is here to shake things up (in the best way possible) and she's only getting started. Very few sets have that desired effect but Shanti Celeste and Call Super's wild closing set from Lente Kabinet grabs you by the scruff of your neck and thrusts you onto the dancefloor. masspool djs digital record pool has access to music provided by record labels, music producers, independent record companies, and recording artists for use by professional Dj’s. We’ve been treated to a fair share of memorable megastar link-ups so far this year. The first edition of remixes from Âme's Dream House LP came long after the album's release but it was well worth the wait because Solomun's dance-floor focused remix is about as ethereal and dreamy as they come. But then, when such incredibly exciting new talent like Maya Bouldry-Morrison aka Octo Octa is conducting weekly history lessons with a syllabus of the best (and often underrated) house tunes written into existence, it all becomes very clear why this sound will never die out. The first pull-up happens within 30 seconds ffs. Hence, the affectionately titled tune, "Jupiter Crush" and indeed, one of the most stylish house tracks of 2019. With roles at both Reprezent Radio and Apple Music’s Beats1, she’s part of the next wave of radio stars who shell it as hard on the airwaves as they do in the club or even in the festival field – added bonuses like her distinctive drawl and her keen ear for bangin’ tracks, artists and labels from across the globe only elevating her natural appeal. Those sets that burst with energy and gusto from the off, that demand your attention and refuse to let go. The track’s lead “ecstacy” sample – from the yearning line “there’s a void where there should be ecstacy” – comes from Kym Mazelle’s ‘Useless’ (which was produced by Marshall Jefferson). With its booming beat and heavy disco groove, Mark Broom's presumably sampled "Break 97" is undeniably massive. Adriatique. You can smell the salt off the Adriatic Sea during the guitar solo in the extended mix of Fleetwood Mac’s ‘Family Man’. Among the picks are killer sets from radio shows, live streams, podcast series (some we’ve hosted, some we’ve not), mixed releases, and club and festival recordings. When CCL stopped by Tim Sweeney’s longstanding and iconic Beats In Space radio show in NYC, a platform that allows artists to showcase a spectrum of their favorite cuts, they took the opportunity to dive deep into surreal, mystical, bubbling and cosmic motifs. Stream the newest Old Skool dj mixes free Page 1 of 17759 Proceedings take a turn for the tremendous around the 55-minute mark once Château Flight’s remix of Antoine Kogut’s ‘Sphere of Existence’ creeps in, with its steamy vocals, dreamy synths and muted acid bassline. House. Harrison Williams. They don't make them like they do anymore but house music legend, Louie Vega and current heavy-hitters, The Martinez Brothers along with vocalist, Marc E. 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